Blue Hour Photo Workshops

Photography is a constant travel to new places

Archive for Photo Workshop

Change of Bolivia Dates

The previously announced photo workshop “On the Tracks of Che Guevara” in Bolivia next autumn will be commencing one week later than originally planned. Unfortunately, we have had to change the dates due to an unforeseen collision of events. The workshop is still going to be an amazing experience, both photographically and as a travel event. Over almost two weeks we will be travelling in the remote mountain areas of eastern Bolivia, visit small villages and learn about the last days of Che Guavara in this area. The workshop runs from September 23th to October 2nd 2019. More information.

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Photo Workshops in Planning

Two of the participants during the Bolivia workshop in 2013

The participants of the 2010 Bolivia workshop

Sitting at my desk here in Seattle, looking out at the cold mist cramping down on the urban scenery outside my window, I can all the more enjoy spending time planning next year’s photo workshops. Honestly, it’s always fun to plan upcoming workshops. I love teaching and planning is part of the built-up.

If everything goes according to plan, next year Blue Hour Photo Workshops will teach four workshops on three different continents. Some of them will be very adventurous while others while be more laidback. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration. Maybe we’ll see you in one of them?

Once again, Blue Hour Photo Workshops will teach a photo workshop in Cuba in May. This is our most popular workshop, thought by Sven Creutzmann and Otto von Münchow. We have done this since 2007, almost every year. Cuba is a fascinating country. It’s certainly a country that it’s a dream place for most photographers, colourful with openhearted people and photo opportunities around every corner.

Next year’s photo workshop will take place from May 4th to 11th. If you may be interested, you’ll find more information here on our web site: «Street Photography in Cuba».

For Blue Hour Photo Workshops it’s extra exciting to re-launch a photo workshop in Bolivia. This will be a truly adventurous workshop, in which we follow the footsteps of Che Guevara, up until he was captured and killed by the Bolivian army. We will travel through small mountain towns and off the beaten tracks in a lush and beautiful landscape. We will meet local people and we will talk with some of those who took care of Che Guevara after he was captured. In all modesty, this is quite an extraordinary photo workshop.

The Bolivia workshop will take place from September 15th to 24th. For more information: «On the Tracks of Che Guevara».

In addition to the Cuba and Bolivia workshop, Blue Hour Photo Workshops will teach yet another weekend workshop in Bergen, Norway in the beginning of June. Next year we also plan a complete new photo workshop in Seattle, USA. The date is yet not settled, but it will take place in the autumn of 2019. These two workshops we will get back to with more info.

Come Rain, Come Shine

© Erik Lind

© Terry Shoobridge

© Inger Stenstrøm

© Tori Tollefsen

© Mary Shoobridge

Street photography is challenging. Most of us feel like intruders when we shove our cameras into the faces of strangers on the street. It’s intimidating, and most intimidating is approaching strangers asking to take their photo. Even just being a fly on the wall, letting street life pass by unobstructed, capturing it without any interaction, can be daunting enough. We just don’t feel comfortable photographing people we don’t know.

For participants during the extended weekend photo workshop in Bath two weeks ago, they all experienced the challenge of street photography. In the beginning, they were pretty much reluctant to the thought of approaching strangers on the street. Resorting to zoom in and use a long telephoto lens was much less intimidating. However, taking captivating street photos more often than not requires using a wide-angle lens or at least a so-called normal lens.

Over the next three days during the workshop, they were pushed ever closer to whatever took place on the street. And they were pushed to use a more wide-angled approach. They also started approaching complete strangers on the street. To their surprise, they found out that most people don’t mind having their photos taken. On the contrary. With that insight came also more audacity—and in the end amazing results in terms of photos they have captured.

To challenge the participants even more, the weather was far from cooperative. Whereas Bath had been bathed in sunshine weeks before the workshop—and in fact ever since the workshop was done, too—during the extended weekend the rain came down reluctantly most days. However, the participants passed this challenge with blistering energy. Come rain, come shine, they were all out shooting every day.

Here is a small selection of what they came back with after an inspiring weekend in beautiful Bath.

Being Challenged

At its best a photo workshop both challenges each participant as well as give him or her a sense of achievement. Both are important. If you are challenged and don’t feel you can handle the challenge, you will soon lose your self-esteem. On the other hand, if you are not really tested beyond your comfort zone, you will hardly develop or improve your photography.

This idea has always been the basis for any of the workshops I teach, as it is for Sven Creutzmann, my friend and colleague with whom I teach the photo workshops in Cuba. For us it’s equally important that we challenge each participant at the right level. Good photographers need to be put to a harder test, whereas with beginners or less confident participants we cannot push as hard.

When we start a new workshop, we always commence with a desire to boost both ourselves and the participants as hard as possible. It’s a matte of motivation. It’s fair to say that we are very ambitious, both with respect to ourselves as well as on the behalf of the participants. For some participants this may come as a surprise. They might have attended other workshops without having the workshop teachers pushing them much at all. In the beginning when they are met with our determination to challenge, they may actually feel a little uncomfortable, but it doesn’t take long before they start to thrive, particularly when they see some dazzling development in their approach to photography.

I think it’s reasonable to say that over the years we have become good at finding the right balance between pressing each participants beyond their comfort zones and making sure they keep a sense of achievement. I also think our feedback during daily picture critiques have become precise and immensely valuable for the participants. After all, we have taught workshops for quite some years by now.

Although I have organized workshops longer, Sven’s and my first Cuba workshop took place in 2006. Quite a few changes have seen daylight since then. This year’s workshop in May took us to a different location, for instance. In addition to Havana, we went to the beautiful, colonial town of Trinidad. We, as workshop teacher, are also more out on the street shooting along with the participants, whereas during the first workshop we went to the rural Viñales. Particularly photography one-to-one with us has become something our participants value. It gives them a change to see how we work as professional photographers as well as letting us guide them better in their own shooting.

Most notably for this year’s workshop, was a new meeting point for lectures and picture critique the days we were in Havana. At the end of last year, Sven open his own art cafe in the district of Vedado. It’s probably one of the coolest cafes in Havana, displaying a lot of Sven’s photography as well as colleagues’ and friends’. ArtCafe Belview has already been picked up by many travel guides as well as gotten ravish reviews, and is a perfect place for teaching a photo workshop.

Do you want to come to Cuba for a photo workshop? Our next one, In the Footsteps of a Revolution, will take place from Nov 24th to December 7th later this year. Or maybe you’d rather go for an extended weekend. From September 21st to 24th I teach the photo workshop Street Photography in Bath, in England.

The group with participants and teachers during the Cuba workshop this May.

Learning to Live (with a Camera)

It’s always fun to observe participants attending our photo workshops in Cuba; In the beginning they are all quite amazed—and for the most part surprised—about how easy it is to photograph Cubans. This is whether they are being photographed on the street or elsewhere. Not the least are the participants astounded about how easy it is to even get invited inside Cuban homes and be able to photograph their intimate and private life.

For most of us, it’s quite intimidating to approach strangers on the street with the intention to photograph them. Of course, if you have never done it before, it’s almost nerve wrecking in the beginning, but also for seasoned photographers it can sometimes take some extra courage to face some stranger on the street.

The ease with which Cubans open up themselves for strangers is one of the reasons why Cuba is one of the better places in the world to practice street photography. During our workshops, we more than once experience the joy with which participants discover they can do something they never thought would be possible. As each day goes, they approach strangers more confidently and even carelessly. Towards the end of the workshop, they don’t even think about it any more. We have had participants crying in the beginning of a workshop because they couldn’t manage to face strangers on the street—or so they though—only to lose them at sight later on, whenever they ventured deeper and deeper into homes and places that no one else would think about going.

So it was with this workshop in May, too. We saw it once again, the anxiety of having to get close on the street shifting to excitement in the meeting with complete strangers and in getting to know them through the process of photographing them. As the week pass, we—my colleague and friend, Sven, and I—push them to go closer and closer and even closer.

When participants start to play along with Cuban music or dancing on the street, we are far beyond the pure photographic experience. We talk about life in all its beauty and richness.

Pushing participants closer and closer is one think that we always need to do, Sven and I, in any workshop we teach. As we say, you can never get too close. In a street photography workshop, this is definitely one of our major missions. And then to push the participants to keep shooting, and the shoot some more. We see it time and again; most untrained photographers may capture one, two or at most five images of a scene or a situation. This is hardly getting started! Whenever we are out on the street with the participants, we have to keep forcing them to stay with a situation, almost to exhaustion, to make sure they capture enough frames. You simple don’t know when the best image will appear.

Get closer. Shoot a lot. And finally: don’t look at the camera’s preview screen. That’s the last of our three commandments for participants during a workshop. Too often, photographers need to check what they have captured all while the situation continues—and they lose maybe the best shot. All this is about being prepared, getting the most out of a given situation and make sure not lose “the” photo.

In the late autumn—in November-December—Sven and I will organize a new workshop in Cuba. This will be quite a different experience. We will travel all over Cuba for two weeks, following the footsteps of Fidel and Che’s revolution.

Develop Your Photography

Learning is a way to both improve and to develop. I believe in lifelong learning—as long as I am willing to learn I stay alive. There are many ways to replenish one’s knowledge and further develop oneself. Personally I find attending workshops one of the most inspiring ways to learn and develop. I try to attend at least one workshop every year. For me there is something about the format of workshops, being incredibly attractive and just evoking pure stimulation. This goes for whether I am a student or a teacher.

This year I am planning to teach more photo workshops than I have ever done in any year before. I am setting up two complete new workshops, in addition once again to organizing two workshops that have been successful in the past. They should cater to any level or interests of photography, whether you are a beginner or already a pro, whether you want to dig in and really develop your photographic voice or just want to have fun while getting a better grip on your photography.

I hope one of the workshops I offer may trigger your desire to further develop and learn. Maybe travel to a place you have not been to before, or maybe finally spending full time immersing yourself in a photographic learning experience. I promise your photography will progress profoundly during any of the workshops. I say so based on having taught workshops for more than ten years and not the least from responses from former workshop participants. As one participant stated: “The workshop was all about constructive critique that inspired to stretch myself to levels I had never perceived before. I believe I am a better photographer today than I was 10 days ago.”

This year I will for, the first time, teach a workshop in England. It’s going to be an extended weekend in the picturesque and distinctive city of Bath. We will stroll around in the historical city, which is built on a heritage extending back to Roman time and beyond. “Street Photography in Bath” will run from September 21th to 24th.

The other completely new workshop is going to be quite an experience. I am really proud to be able to offer a two weeks combined photo tour and workshop in Cuba, where we will follow the footsteps of Fidel Castro and Che Guevara and their revolution. I am teaching the workshop together with my friend and colleague, Sven Creuztmann. We will visit cities with important landmarks for the two revolutionaries fought, we will visit places that most visitors to Cuba never get to see and we will go deep into the mountains where the revolution started. “In the Footsteps of a Revolution” takes place from November 24th to December 7th.

The workshops I have taught before will run in spring. I will once again do the intimate photo workshop about how to develop your photographic expression in my hometown of Bergen, Norway. It’s going to be a very small workshop where we meet up in my apartment, when we are not shooting the streets of Bergen. “The Personal Expression” runs from June 15th to 17th.

Finally, Sven and I are running our regular workshop in Cuba this May. It’s a one week photo workshop, and one of my most popular. We already have a good group signed up for the workshop, but there are still some spots left. “Cuba in Essence” takes place from May 5th to 17th.

Maybe one of these workshops could be something for you? I would love to have you come along.

Intimate Workshop in Bergen

Do you need some inspiration? Do you want to develop your personal photographic expression? Get more grounded with your photographic voice? Once again, I will teach my special, intimate photo workshop in Bergen, Norway, and I promise you it will be an awesome experience. First of all because with few participants you will get all my attention and all the assist you would be wanting, and secondly, Bergen is an amazing city to photograph, particularly in the early summer.

If you happen to be in Bergen in the second weekend of June or want to make the trip to one of the most beautiful cities in Norway around then, check out the workshop. I promised it will be both fun and educational. The workshop takes place over an extended weekend, from after work on June 15th through Sunday June 17th.

Last autumn, when I taught this workshop for the first time the little group of participants and I had an intense and educational couple of days together. The feedback from the participants was unambiguously positive. They all got a boost to their photographic passion. Like then, also this time we will work out of my place in Bergen, so the workshop will be both intimate and personal. For that reason, there is only space for a limited number of participants.

The workshop is all about visual language, story telling with photos and about the creative process. The focus will be on your personal expression. Over the extended weekend in mid-June, you will work with what may be called your signature as a photographer or your photographic voice. Of course developing this personal expression isn’t something you are done with in a couple of days. However, understanding your photographic tools, yourself and how you want to express yourself through the photographic medium, will help you on the way to finding your unique photographic voice. That is what this workshop is all about.

Does this sound like something you want to attend? Check out information about the photo workshop in Bergen.