Blue Hour Photo Workshops

Photography is a constant travel to new places

Archive for Workshop

Photo Workshops in Planning

Two of the participants during the Bolivia workshop in 2013

The participants of the 2010 Bolivia workshop

Sitting at my desk here in Seattle, looking out at the cold mist cramping down on the urban scenery outside my window, I can all the more enjoy spending time planning next year’s photo workshops. Honestly, it’s always fun to plan upcoming workshops. I love teaching and planning is part of the built-up.

If everything goes according to plan, next year Blue Hour Photo Workshops will teach four workshops on three different continents. Some of them will be very adventurous while others while be more laidback. They will vary from weekend long workshops to a tour stretching almost a fortnight. There should be a workshop for most aspiration. Maybe we’ll see you in one of them?

Once again, Blue Hour Photo Workshops will teach a photo workshop in Cuba in May. This is our most popular workshop, thought by Sven Creutzmann and Otto von Münchow. We have done this since 2007, almost every year. Cuba is a fascinating country. It’s certainly a country that it’s a dream place for most photographers, colourful with openhearted people and photo opportunities around every corner.

Next year’s photo workshop will take place from May 4th to 11th. If you may be interested, you’ll find more information here on our web site: «Street Photography in Cuba».

For Blue Hour Photo Workshops it’s extra exciting to re-launch a photo workshop in Bolivia. This will be a truly adventurous workshop, in which we follow the footsteps of Che Guevara, up until he was captured and killed by the Bolivian army. We will travel through small mountain towns and off the beaten tracks in a lush and beautiful landscape. We will meet local people and we will talk with some of those who took care of Che Guevara after he was captured. In all modesty, this is quite an extraordinary photo workshop.

The Bolivia workshop will take place from September 15th to 24th. For more information: «On the Tracks of Che Guevara».

In addition to the Cuba and Bolivia workshop, Blue Hour Photo Workshops will teach yet another weekend workshop in Bergen, Norway in the beginning of June. Next year we also plan a complete new photo workshop in Seattle, USA. The date is yet not settled, but it will take place in the autumn of 2019. These two workshops we will get back to with more info.

Advertisements

Come Rain, Come Shine

© Erik Lind

© Terry Shoobridge

© Inger Stenstrøm

© Tori Tollefsen

© Mary Shoobridge

Street photography is challenging. Most of us feel like intruders when we shove our cameras into the faces of strangers on the street. It’s intimidating, and most intimidating is approaching strangers asking to take their photo. Even just being a fly on the wall, letting street life pass by unobstructed, capturing it without any interaction, can be daunting enough. We just don’t feel comfortable photographing people we don’t know.

For participants during the extended weekend photo workshop in Bath two weeks ago, they all experienced the challenge of street photography. In the beginning, they were pretty much reluctant to the thought of approaching strangers on the street. Resorting to zoom in and use a long telephoto lens was much less intimidating. However, taking captivating street photos more often than not requires using a wide-angle lens or at least a so-called normal lens.

Over the next three days during the workshop, they were pushed ever closer to whatever took place on the street. And they were pushed to use a more wide-angled approach. They also started approaching complete strangers on the street. To their surprise, they found out that most people don’t mind having their photos taken. On the contrary. With that insight came also more audacity—and in the end amazing results in terms of photos they have captured.

To challenge the participants even more, the weather was far from cooperative. Whereas Bath had been bathed in sunshine weeks before the workshop—and in fact ever since the workshop was done, too—during the extended weekend the rain came down reluctantly most days. However, the participants passed this challenge with blistering energy. Come rain, come shine, they were all out shooting every day.

Here is a small selection of what they came back with after an inspiring weekend in beautiful Bath.

Develop Your Photography

Learning is a way to both improve and to develop. I believe in lifelong learning—as long as I am willing to learn I stay alive. There are many ways to replenish one’s knowledge and further develop oneself. Personally I find attending workshops one of the most inspiring ways to learn and develop. I try to attend at least one workshop every year. For me there is something about the format of workshops, being incredibly attractive and just evoking pure stimulation. This goes for whether I am a student or a teacher.

This year I am planning to teach more photo workshops than I have ever done in any year before. I am setting up two complete new workshops, in addition once again to organizing two workshops that have been successful in the past. They should cater to any level or interests of photography, whether you are a beginner or already a pro, whether you want to dig in and really develop your photographic voice or just want to have fun while getting a better grip on your photography.

I hope one of the workshops I offer may trigger your desire to further develop and learn. Maybe travel to a place you have not been to before, or maybe finally spending full time immersing yourself in a photographic learning experience. I promise your photography will progress profoundly during any of the workshops. I say so based on having taught workshops for more than ten years and not the least from responses from former workshop participants. As one participant stated: “The workshop was all about constructive critique that inspired to stretch myself to levels I had never perceived before. I believe I am a better photographer today than I was 10 days ago.”

This year I will for, the first time, teach a workshop in England. It’s going to be an extended weekend in the picturesque and distinctive city of Bath. We will stroll around in the historical city, which is built on a heritage extending back to Roman time and beyond. “Street Photography in Bath” will run from September 21th to 24th.

The other completely new workshop is going to be quite an experience. I am really proud to be able to offer a two weeks combined photo tour and workshop in Cuba, where we will follow the footsteps of Fidel Castro and Che Guevara and their revolution. I am teaching the workshop together with my friend and colleague, Sven Creuztmann. We will visit cities with important landmarks for the two revolutionaries fought, we will visit places that most visitors to Cuba never get to see and we will go deep into the mountains where the revolution started. “In the Footsteps of a Revolution” takes place from November 24th to December 7th.

The workshops I have taught before will run in spring. I will once again do the intimate photo workshop about how to develop your photographic expression in my hometown of Bergen, Norway. It’s going to be a very small workshop where we meet up in my apartment, when we are not shooting the streets of Bergen. “The Personal Expression” runs from June 15th to 17th.

Finally, Sven and I are running our regular workshop in Cuba this May. It’s a one week photo workshop, and one of my most popular. We already have a good group signed up for the workshop, but there are still some spots left. “Cuba in Essence” takes place from May 5th to 17th.

Maybe one of these workshops could be something for you? I would love to have you come along.

Intimate Workshop in Bergen

Do you need some inspiration? Do you want to develop your personal photographic expression? Get more grounded with your photographic voice? Once again, I will teach my special, intimate photo workshop in Bergen, Norway, and I promise you it will be an awesome experience. First of all because with few participants you will get all my attention and all the assist you would be wanting, and secondly, Bergen is an amazing city to photograph, particularly in the early summer.

If you happen to be in Bergen in the second weekend of June or want to make the trip to one of the most beautiful cities in Norway around then, check out the workshop. I promised it will be both fun and educational. The workshop takes place over an extended weekend, from after work on June 15th through Sunday June 17th.

Last autumn, when I taught this workshop for the first time the little group of participants and I had an intense and educational couple of days together. The feedback from the participants was unambiguously positive. They all got a boost to their photographic passion. Like then, also this time we will work out of my place in Bergen, so the workshop will be both intimate and personal. For that reason, there is only space for a limited number of participants.

The workshop is all about visual language, story telling with photos and about the creative process. The focus will be on your personal expression. Over the extended weekend in mid-June, you will work with what may be called your signature as a photographer or your photographic voice. Of course developing this personal expression isn’t something you are done with in a couple of days. However, understanding your photographic tools, yourself and how you want to express yourself through the photographic medium, will help you on the way to finding your unique photographic voice. That is what this workshop is all about.

Does this sound like something you want to attend? Check out information about the photo workshop in Bergen.

New Photo Workshop

Do you want to develop your personal expression in photography? In the autumn coming up, I will teach a complete new workshop. It will take place in Bergen, Norway, over an extended weekend.

If you happen to be in Bergen in the last weekend of September or want to make the trip to one of the most beautiful cities in Norway around then, check out the workshop. I promised it will be both fun and educational.

This workshop will be all about visual language, story telling with photos and about the creative process. The focus will be on your personal expression. Over the extended weekend at the end of September, you will work with what may be called your signature as a photographer or your photographic voice. Of course developing this personal expression isn’t something you are done with in a couple of days. However, understanding your photographic tools, yourself and how you want to express yourself through the photographic medium, will help you on the way to finding your unique photographic voice. That is what this workshop is all about.

We will work out of my place in Bergen, so the workshop will be both intimate and personal. For that reason there is only space for a limited number of participants. We start up in the evening of Friday September 29th and finish off in the evening of Sunday October 1st. During daytime we will be out shooting, while the evenings will be for lectures, picture shows and picture critique.

Does this sound like something you want to attend? Check out information about the photo workshop in Bergen.

Students Facing Their Fears

© Nina Ramberg

© Kari Anne Kvam

© Jan-Morten Bjørnbakk

© Jan Holm

© Berit Roald

© Anders Øystein Gimse

We are always amazed by the work students come back with during any of my photo workshop. During this year’s Cuba workshop we had participants with quite different photographic skills and knowledge, but not matter their background they were all able to produce some outstanding photos.

Personally for us, that is one of the most rewarding aspects of teaching a workshop. We believe we always learn just as much as the participants from their different perspectives and their different ways of shooting that they bring into a workshop. Yes, we as workshop teachers push them to grow and expand, but they all come with their own photographic voice, whether refined or still in the making.

Likewise for the participants, we think being push from teachers with a different perspective than themselves is what makes attending a workshop so worthwhile. When participants let them be move into new ways of seeing and are willing to go outside their usual box, that’s when they will experience tremendous growth and development during a workshop.

During this year’s Cuba workshop, all the participants did exactly that. Yes, some of them felt vulnerable when we pushed hard, which is something we experience in all workshops we teach, but they also came out on the other side with a new photographic confidence and a stronger sense of their photographic voice.

Shooting on the street is difficult for anyone who is not used to it. Particularly approaching strangers on the street with the intention of capturing photos of them can be challenging. It takes a lot of practice to be at ease when walking over to a complete stranger—even for a seasoned photographer used to shooting on the street. Even more so, for participants who have never done anything like this before. But again, the participants of this year’s photo workshop ended up getting into any situation by the end of the workshop, yes, they equally easily entered houses of strangers and kept shooting inside their homes.

I think this willingness to face up to the task was what made their work so outstanding. This post gives a little sample of photos by the participants.

Subdued Simplicity

Over the eight weeks that Phil Vaughn attended the online photo workshop «Finding Your Photographic Voice», I noticed a significant development in his photography. By the end of the workshop, Phil was both clearer in his approach and were able to express his vision with more strength.

I think this is quite evident in the personal photo project he worked on during the last four weeks of the workshop. The theme for the project was something so everyday-like as a park, but the photos has a personal touch and transcend the peacefulness and quiet that many parks represents for its urban users.

Phil photographed the airy Engler Park, Farmington, Missouri with a subdued sensibility. The photos radiate this tranquil approach in both composition and the photos’ colour palette. The colours are a strange combination of being muted as well as subtle. There is a simplicity over his work that strengthens the expression and underlines the serene feeling of the park.

During the four weeks, Phil worked on the project he returned to the park during all times of the day. He photographed the visitors of the park, their activity as well as the more deserted areas of the park. The photo project comes together as a visual essay that tells the story of life and environment in a pleasant park.

Later in the spring I will start up another round of the online workshop, more specifically May 22nd. If you are interested, you will find more information about «Finding Your Photographic Voice» on the web site of Blue Hour Photo Workshops.